The engraved picture is striking. The fallen holy messenger, Lucifer slithers out of a bubbling cauldron of a lake while Michael the Lead celestial host shut in, lance close by, through mainstays of hot fog in interest. The exceptional picture depicted was initially made in the nineteenth century by Gustave Dore for the book Heaven Lost. Furthermore, now, the high contrast engraved lines have been conveyed to energizing new existence with extreme watercolors.
Kevin Pawlowski, a craftsman working out of Woodstock, GA (30 miles North of Atlanta), carefully applies watercolor paint to the etchings of Gustave Dore. These canvases can be seen at www.paradisefoundstudio.com, and superb, constrained version prints can be obtained.
The procedure begins as Pawlowski deliberately expels a page from the book and tapes it to a board to anticipate wrinkling as the paper retains water. He then reviews the picture and, when fundamental, inquires about reference material to guide his shading decisions. The objective is to translate the first craftsman’s goal – what he was attempting to get crosswise over in the restricted medium available to him.
Paul Gustave Dore (1832-1883) was a French craftsman and printmaker whose work is popular for its sumptuous detail, even in the darkest shadows. Look carefully, and you’ll see practically shrouded pictures of doing combating holy messengers and evil presences, agitating waters, or verdant vegetation. The expansion of Pawlowski’s watercolors draws out those points of interest in emotional design. From dusks to holy messenger fire, the etchings are conveyed to clear life. Paint is connected in thin layers over the printed etching, attempting to abstain from clouding the dark carved lines. Many layers of paint are connected after past layers have dried. This is done to advance the hues in a few places, and extend in others.
At the point when an artistic creation is finished, it is filtered and carefully improved. Utilizing Photoshop, Pawlowski isolates the dark drawing so he can build the differentiation of the lines without influencing the watercolor painting. At that point the shading layer is conformed to upgrade the effect of the general picture.
Pictures from Heaven Lost incorporate Chief heavenly messenger Michael driving armies of blessed messengers to fight Lucifer’s crowds of fallen holy messengers, evil spirits, and even mammoth serpents. Additionally included are Adam and Eve stalked by Satan as a serpent, and Noah assembling his gigantic ark as tempest mists bubble and beat out of sight.
Pawlowski has since bought an accumulation of Gustave Dore’s scriptural etchings, which incorporates a delicate and lovely picture of Jesus encompassed by kids. It likewise highlights emotional delineations of Jesus strolling on stormy oceans, and right now of His demise on the cross, with winds yelling and the Earth shaking.
“It began when I saved a worn out antique 1890s version of the epic lyric Heaven Lost from an Amarillo, TX old fashioned store. In the wake of testing on a content page, I found the antique paper acknowledged the paints well. The first occasion when I touched brush to the page, it resembled swinging on a trapeze without a net. I was produced of messing the excellent classical drawing,” Pawlowski clarifies. “What I found was the shading brought out detail you don’t see in back-and-white. This procedure is such a delight for me on the grounds that each picture I paint feels like a reverential to God. It resembles asking with paint.”
Pawlowski finishes maybe a couple sketches each month, and posts them rapidly on www.paradisefoundstudio.com. He additionally posts routinely on Facebook and has a few recordings covering his work and painting process on YouTube (both under paradisefoundstudio). Each work of art is accessible available to be purchased as either a restricted version Giclee print (fantastic printing process on watercolor paper) or on extended canvas.